BALLERINO BY DAVID-SIMON DAYAN / FLAUNT MAGAZINE
Series spotlight and interview with Flaunt Magazine.
David-Simon Dayan, the twenty-four-year-old Los Angeles-based artist, utilizes vulnerability from the kinetic rawness of male ballet dancers as the focal point of his latest exhibition entitled ‘Ballerino.’ Known for his intimate black and white portraiture of the queer identity and experience, David-Simon Dayan has made it his mission to imprint his view of the male identity onto strips of silver analogue. His project first started as a response to Robert Mapplethorpe’s work on the human disposition, but instead transformed into his own narrative on the current state of the male identity. Dayan conducts a visual study on the societal constructions of what it means to be one’s own entity, transcending the preconceived notions on gender and identity.
Dayan’s ‘Ballerino’ opens the conversation on the ever-changing male identity in order to redefine the expectations of men and to eclipse the limitations placed on them. With his latest collection of 35mm photographs, Dayan captures a single millisecond that has an everlasting impression on the way society gazes at men that radiates tendrils of tenderness, vulnerability, and elegance. While there are no formal terms for a male ballet dancer, Dayan uses this as an avenue to explore this hole in inclusivity and acceptance. Dayan encourages an environment with wide acceptance and freedom, which will in turn create an environment free of societal pressures and expectations. He shares, “Liberation lives not just in women growing stronger, but in men growing softer, in gender lines blurring to give way to truly individual expression.”
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